Monday, July 13, 2020

Red Bull Music Academy - Dj Vibe and DJ MAG journalist Lauren Martin talk "So Get Up'

"So Get Up" (DJ Vibe and Lauren Martin) Red Bull Music Academy

Lauren Martin and DJ Vibe discuss “So Get Up” (Red Bull Music Academy lecture series)


Lauren Martin and DJ Vibe discuss “So Get Up” (Red Bull Music Academy lecture series)


In September of 2019, world-renowned electronic music journalist and editor Lauren Martin interviewed DJ Vibe (António Pereira), the iconic Portuguese DJ, for the Red Bull Music Academy lecture series. During the course of the one-hour long conversation the two spoke five full minutes specifically about the song “So Get Up” which undoubtedly transformed DJ Vibe’s personal career and in fact the entire electronic music economy of Portugal in the 1990’s.


DJ Vibe in 1994
When asked about the recording and the distribution of the song “So Get Up” and how it ‘changed everything’, Vibe spoke at length about now-deceased Kaos Records label owner/promotor António Cunha, co-member of Underground Sound of LisbonRui da Silva and Rob Di Stefano manager of Tribal U.S.A. records which distributed the initial international release of “So Get Up” selling 80,000 copies).
He also speaks of DJ Junior Vasquez who had the recorded exclusively for a full year at the NY’s Sound Factory and created a buzz around the recording, but Dj Vibe fails to even mention the lyricist/vocalist, Greek-Californian Ithaka (Ithaka Darin Pappas), whose rerecording of his 1992 English-language vocal poem, So Get Up, The End Of The Earth Is Upon Us for Underground Sound Of Lisbon, certainly aided in the globalization of Underground Sound of Lisbon, Kaos Records, DJ Vibe, Rui da Silva and Portuguese electronic music in general.
Ithaka had originally written and recorded “So Get Up” on December 13th 1992 for Rádio Comercial – Lisbon, then in Februrary of 1993 recorded an electro version in Manchester for demo of his album project, So Get Up & The Lost Acapellas (which was not immediately released).


Underground Sound of lisbon’s “So Get Up” enjoyed wide international success (#83 on the U.K. pop charts in 1994). But apparently, for marketing reasons, So Get Up was presented as a 100% Portuguese creation – even though the lyricist and vocalist was a Californian, briefly living in Portugal, and the song was written and recorded in English.
Ithaka Darin Pappas was largely not credited with his contribution on the new version of his own song.
Furthermore, both Underground Sound Of Lisbon’s label, (Kaos Records, Portugal) and their international distributor Tribal USA (EMI), headed by Rob Di Stefano, released several acapellas of Ithaka’s voice and lyrics without a visible credit, causing a snowball of anonymous bootleg versions and remixes.
In 1997, Stretch n Vern released “Get Up! Go Insane!”, principally using the hook lines of Ithaka’s “So Get Up”, becoming a #17 pop hit in the United Kingdom. “Get Up! Go Insane!”, was also used in a highly-visible Samsung printer commercial in Korea starring movie actress Jun Ji-Hyun. According to all of her biographic accounts, the commercial turned her into a “popular sensation”. The dancing around to “Get Up! Go Insane!” and the attitude expressed in the commercial’s footage made her into an icon for Koreans in their late teens and early twenties.
In 2013, German trance super stars Cosmic Gate, licensed Ithaka’s entire So Get Up vocal for their track coincidentally entitled “So Get Up” (again without a featured lyric/vocal credit to Ithaka). So Get Up became known as one of their best tracks, a ‘stadium banger’ as it was called by DJ MAG. They even manufactured a line of shirts with Ithaka’s lyrics printed on them, with no mention of the author.
By 2020, there have possibly been more than one-thousand remixes of Ithaka’s 1993 vocal acapella recording of So Get Up, becoming one of the most remixed acapellas in musical history. It appears under many alternative titles such as “Get Up”, “Insane”, “Get Up, Go Insane!”, “Next Life”, “See You In The Next Life” “The End Of The Earth”, “Hardventure”, “Headcharge”, “Belther”, “Last Resurrection”, “PPF (Past Present Future)”, “Intensity”, “Forget The Past”, “Trance Line”, “Viginti Etduo”, “Have A Blast”, “Turn To Dust”, “Alien Life Forms, Goodbye My Friends”, “Jet Airplane”, “Speed O.J.”, “Zombie”, etc..
“So Get Up” remix artists include: Armin Van Buuren, Fatboy Slim, Danny Tenaglia, Junior Vasquez, Dj Vibe, Oxia, Peter Bailey, Orion’s Voice, JJ Mullor, Dani Sbert, Lexington Avenue, Dylan, Derek Marin, Public Domain, K-Traxx, Technoboy, Bob Ray & Van Dyuk, Ben Gold, Pelari, Miss Kittin, Dave Seaman, Dade (ITA), Carlos Walker, Alien Project, Second Nature, Pomella, John Neiland, Br1an, DJ Healer, Traumprinz, Joseph LP, Rab-Beat , Pirro, Matheu, Neanderthal Phonogram, Omar Lopez, Liquid Viking, MotivBreaks, Chaka & Marty, Jay Dahbi, Hu Bee, Frankyeffe, Township Rebellion, Rui Flip, Dani Villa, Rodri Vegas, Dr. Funk, ZRG, Swing Kings, Acti, Antolini, DANTEE, Alternative Journey, Nell Silva, Geometric Dark, Pepo, Pacho, Club Atlas, Branko, Buraka Som Sistema, Alex Di Stefano, TNT, Zatox, Marc Hartman, Meat Katie, DJ Dũng Tí , Future Plays, Manu Kenton, Dejay D, Ozy & Ash, Derk Marin, Marcel, Doppeldosen, Maik Ibane, Cubik, Checo Zak, Fuelo Ruedo, Paradigm X, Samir Kuliev, Lee Burridge, Razat, Alex Page, DJ Kryst-Off, Breaker, Micromakine, Gu’Brian, Trolley Snatcha, Mr. Argenis, Let’s Try, Audio Noir, Peace Maker, Ninja, Cab Thomas, Loose Effects, JJ Mullor, Dani Sbert, Atmozfears, Igor Carmo, Pelari, Ben Gold, Koozah, Slow Panpot, Furio Levant, Bob Ray, Van Dyuk, Morgana DJ, Damien Blaze, Audio Noir, Hardwell, Agustin Servente, Matias Chavez, HeatBeat, Danny Garlick, Hakan Sarugil, Cassien Jean, Marco Calanni, Bageera, Black Force, Horizon, DJ Pibert, Outworld, Plusculaar, Mike Steventon & Tone, Bart Skils, Peace Maker, Philippe Rochard, Andrea Doria & Dino Lenny, 2 DJs In A Room, Steve Hill & Technikal, Seikos, Dantime, Maziano, Lochness DJ Team, DJ Zorneus, Phunk Investigation, Sharp & Smooth, Mowree, Lexicon Avenue, Architect, Committee, Low End Specialists, Dan Robbins, King-Size, Eric Kupper, Mert Yucel, Dylan, K-Traxx, High Voltage, K-Traxx, PCP, Ce Ce Lee, Atlantis ITA, Pathfinder, Jason “Jinx” Zambito, Tecmania Rebel, Patrick van der Hart, Public Domain, Sarasite, etc.

Ithaka Darin Pappas - vocalist/lyricist of all versions of the song, "So Get Up"
So Get Up, So Get Up, So Get Up, So Get Up, So Get Up, So Get Up, So Get Up, So Get Up, So Get Up, So Get Up, So Get Up, So Get Up, So Get Up, So Get Up, So Get Up, So Get Up, So Get Up, So Get Up, So Get Up, So Get Up, So Get Up, So Get Up, 

Wednesday, May 20, 2020

Takashi Murakami's political piece "Polyrhythm" (Tokyo 1992). Photographed by Ithaka Darin Pappas

Takashi Murakami with "Polyrhythm" (1992) Photographed by Ithaka Darin Pappas at Galerie Mars in Shibuya-Ku

 At the beginning of his career, Murakami appeared to be content with the lot of most successful contemporary artists: to create work that is admired by critics and desired by wealthy collectors but leaves the general public baffled or hostile. He was constructing conceptual pieces similar to the art being made in the West. Among those early works, which began attracting attention in the early 90's, was "Polyrhythm", a seven-foot-high slab of yellow resin, minimalist in form, on which many toy United States infantry soldiers climb. 

Read Full article here:  https://www.nytimes.com/2005/04/03/magazine/the-murakami-method.html



Takashi Murakami photographed with "Polyrhythm" by Ithaka Darin Pappas 
in Tokyo Los Angeles (1992) 



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For more information about this image please contact: 
ithaka.art@gmail.com - Also see: @_ithaka_


Friday, July 12, 2019

Surf Art Photo-Surrealism "TARO REEF" by Ithaka (Ithaka Darin Pappas)

"Taro Reef" surf-oriented photo surrealism by Californian artist, Ithaka (Ithaka Darin Pappas)



"TARO REEF" - a surrealist photography series by artist: Ithaka (plant waves photographed by Ithaka Darin Pappas in Brazil) The featured images were all photographed at Taro Reef during a single winter season. Taro Reef is located at AkahtiLândia, Ithaka's mini-ranch and art studio situated in the Mata Atlântica (Atlantic Rainforest) in the State of São Paulo (Brazil). Although multiple attempts were made to continue the series, the taro patch at AkahtiLândia (Taro Reef) never again received ideal lighting conditions, nor did the curves of the leaves again emulate ocean waves as they had that one winter. The "Taro Reef" project is uniquely comprised only of the images on this presentation.


Galleries: WOA-Way Of Arts (Europe) Coffin Alley Gallery (North America) Individual works (in order of appearance): "Taro Reef #8" "Taro Reef #9" "Taro Reef #1" "Taro Reef #4" "Taro Reef #5" "Taro Reef #11' "Taro Reef #6" "Taro Reef #3" "Taro Reef #7" "Taro Reef #10" "Taro Reef #2" _____________________________________________________ For prints, exhibits or licensing inquiries please contact: ithaka.official@gmail.com Direction and edit: Ithaka ©2019 Sweatlodge Films Song: Ithaka "Liquid Harmonics" album, Voiceless Blue Raven II Note: all images in this presentation are under U.S. Federal and international copyrights ©2015, ©2019 #Ithaka #IthakaDarinPappas #fotografiasurreal

Wednesday, June 26, 2019

"The Miracle Mile Shot"ドキュメンタリー映画祭イタカ・ダリン・パッパ


JAPANESE
FRENCH
PORTUGUESE


"The Miracle Mile Shot"ドキュメンタリー映画祭イタカ・ダリン・パッパス、芸術家の作品ペレトレ・グレコ - アメリカ。それはヒップホップシーンと芸術家写真家や芸術家en art visuelsのイメージの直感に関する一連の写真です。











"ミラクルマイルショット"






イタカはドキュメンタリーのリハーサル、ケン・バーンズを読みます、そして、レアルアジのモチーフはtrabalhocinematográficoのためのconililです。



「ドキュメンタリーの証拠が、事件の状況における違いと両立しないことは明らかである。それは、和解できない唯一の方法である。ジャズ、ゲリラ市民、およびパルシオンナシオナイ:ケアンバーンズ、あなたは歴史の歴史を経験しています、そしてあなたはそれに関係するたくさんのことを持っています。



それは写真撮影のための重要な批判のプラスであると認識されています。やけどの扉は、あなたがイメージの本質の本質とフィルムのフォーマット、そしてニヴォーのクールブを持つための道です。 Le Miracle Mile Shotは、プロジェクターのterceiro du festival yard-metragemです。これはあなたのものではありません今すぐ予約することはできません。ヒップホップとスケートボード



クリークシュール・ル・リエンの自家製の注ぎ口に注ぎ込み、重要な看板を注いでください。管理会社のリストを用意することは重要です。これは、すばやく読みやすいコミュニケーションの種類を選択するために重要です。また、賞金を増やすことをお勧めします。



テッサロニケのドキュメンタリー映画祭の「ミラクルマイルショット」は、現代美術の祭りと水没祭です。


The Miracle Mi」というイタリア語で写真を撮ってみませんか。 1988年、写真の保存とN.W.Aの定義の保存の命令と命令。これらを見てください。映画「ミラクルマイルショット」、1988年11月11日、イーストアイスキューブ、博士Dre、Eazy E、DJ Yella et MC Ren。 NWAのTriple Platine、Straight Outta Compton(Dossiers Prioritaires)の最高のイメージ。 "The Miracle Mile Shot"は、Naqle Dia(6516 1/2 Orange Street - Los Angelesの自動写真)とHasselblad 500 CE 80 mmの平均寸法を表す一連の写真の中からのユニークな写真です。 。重要なのは、グループのメンバーのクロワッサンのイメージを作成することです。これは、最も影響力のあるダンスです。










フィルムからの画像: